Schoolnotes TEMPLATE (Definitions and examples on page 2) Week of October 12-16 6th Period Language Arts | Monday, October 12- SB 51-Reading an Interview Narrative | Objective (Student will…) | 1. To identify aspects of voice in an interview write-up. 2. To recognize the effect of direct and indirect quotations in conveying voice. 3. To review punctuation of quotations. | Teacher Activities & Strategies | 1. As students read the article, “Bethany Only Looking Ahead,” remind them to take notes about the focus of the interview, voice, and language the writer uses to describe the interviewee. 2. Perform a shared reading of the interview narrative. 3. After the students finish reading, ask them to determine the focus of the interview. 4. Ask students to identify what information is provided in this text that would not be provided in a simple Q and A transcript (three descriptive categories in the SB book). 5. Have students reread the text with their partners, annotating examples of each category. 6. Discuss the impact of these descriptions on students’ perceptions of Bethany. | Student Activities | 1. Read the article, “Bethany Only Looking Ahead,” and take notes about the focus of the interview, voice, and language the writer uses to describe the interviewee. 2. Perform a shared reading of the interview narrative. 3. After you finish reading, determine the focus of the interview. 4. Identify what information is provided in this text that would not be provided in a simple Q and A transcript (three descriptive categories in the SB book). 5. Reread the text with your partner, annotating examples of each category. 6. Discuss the impact of these descriptions on students’ perceptions of Bethany. | Assessment/Evaluation | Pg. 51 | Academic Vocabulary (optional by dept.) | | Additional Resources | SB Book | Language Arts | Tuesday, October 13- SB 51-Reding an Interview Narrative | Objective (Student will…) | 1. To identify aspects of voice in an interview write-up. 2. To recognize the effect of direct and indirect quotations in conveying voice. 3. To review punctuation of quotations. | Teacher Activities & Strategies | 1. Have students work individually on a quickwrite in which they describe the voice of the interviewee. 2. Lead the class in a discussion of the methods writers can use to make the voice of the interviewee clear to the readers. 3. Ask students to identify examples of direct and indirect quotations in the text. 4. Assign Night” reading | Student Activities | 1. Work individually on a quickwrite in which you describe the voice of the interviewee. 2. Have a class discussion of the methods writers can use to make the voice of the interviewee clear to the readers. 3. Identify examples of direct and indirect quotations in the text. | Assessment/Evaluation | Quickwrite | Academic Vocabulary | | Additional Resources | SB Book | Language Arts | Wednesday, October 14- SB 56-Inteviewing Together | Objective (Student will…) | 1. To conduct an interview. 2. To summarize, paraphrase, and quote. 3. To synthesize answers and create a report of a Q and A interview. | Teacher Activities & Strategies | 1. Quiz over “Night.” 2. Remind students of EA 1. 3. Arrange an interview for your students. 4. Provide students with a little background info on the interviewee-KWL chart 5. Give students time to fill in the W column and write questions they might ask to discover what they want to know. 6. Using a think-pair-share have students share the three questions they thought of to start the interview. As a class, choose one question to open the interview. | Student Activities | 1. Quiz over “Night.” 2. Discuss of EA 1. 3. Discuss background info on the interviewee-KWL chart 4. Fill in the W column and write questions you might ask to discover what you want to know. 5. Using a think-pair-share, share the three questions you thought of to start the interview. As a class, choose one question to open the interview. | Assessment/Evaluation | Questions for interviewee | Academic Vocabulary | | Additional Resources | SB Book | Language Arts | Thursday, October 15- SB 56-Inteviewing Together | Objective (Student will…) | 1. To conduct an interview. 2. To summarize, paraphrase, and quote. 3. To synthesize answers and create a report of a Q and A interview. | Teacher Activities & Strategies | 1. When the interviewee is ready, proceed with the interview. 2. Begin with the question the class has chosen, and then have students raise their hands to ask follow-up questions. 3. Remind them that they should only start a new line of questioning if the last one seems finished or if the interviewee seems ready to move on. 4. Have students fill in the L column of their KWL charts. 5. Direct students to mark the text using three different colored pens or pencils to identify the new questions and the follow-up questions, and to indicate any follow-up questions they wish they had asked. 6. Return students to their interview partners and ask them to respond to the Writing Prompt. 7. As they draft a narrative of the interview, instruct them to include examples from each of the three descriptive categories, as well as direct and indirect quotations. | Student Activities | 1. When the interviewee is ready, proceed with the interview. 2. Begin with the question the class has chosen, and then raise your hand to ask follow-up questions. 3. You should only start a new line of questioning if the last one seems finished or if the interviewee seems ready to move on. 4. Fill in the L column of their KWL charts. 5. Mark the text using three different colored pens or pencils to identify the new questions and the follow-up questions, and to indicate any follow-up questions you wish you had asked. 6. Return to your interview partner and respond to the Writing Prompt. 7. As you draft a narrative of the interview, include examples from each of the three descriptive categories, as well as direct and indirect quotations. | Assessment/Evaluation | Writing Prompt | Academic Vocabulary | | Additional Resources | SB book | Language Arts | Friday, October 16-Catch-Up | Objective (Student will…) | 1. To catch up on any missing activites. | Teacher Activities & Strategies | 1. Students will catch up on any assignments they are missing. 2. We will catch up as a class on any assignments we are behind on. | Student Activities | 1. Catch up on any assignments you are missing. 2. We will catch up as a class on any assignments we are behind on. | Assessment/Evaluation | | Academic Vocabulary | | Additional Resources | SB Book |
Schoolnotes TEMPLATE (Definitions and examples on page 2) Week of October 12-16 7th Period Language Arts | Monday, October 12- SB 41-Conversations with Characters | Objective (Student will…) | 1. To apply reading strategies to new reading tasks. 2. To apply knowledge of diction, syntax, and imagery to understanding a new text. 3. To plan and generate interview questions. | Teacher Activities & Strategies | 1. Complete a shared reading of Section 3. 2. Ask students to consider the philosopher’s statement in the last paragraph, and invite them to agree or disagree with the statement. 3. Ask students to return to page 43 and respond to the instructions there. 4. Direct them to complete the mock character interview as described. 5. Remind students to think of questions that relate to the coming-of-age concept. 6. Use sharing-and-responding to allow students to get feedback. 7. Instruct student to conduct mock interviews based on their novels as an independent assignment, again focusing on the concept of coming of age. 8. Revisit the essential question: “What does is mean to come of age?” | Student Activities | 1. Complete a shared reading of Section 3. 2. Consider the philosopher’s statement in the last paragraph, and either agree or disagree with the statement. 3. Return to page 43 and respond to the instructions there. 4. Complete the mock character interview as described. 5. Think of questions that relate to the coming-of-age concept. 6. Use sharing-and-responding to get feedback. 7. Conduct mock interviews based on your novel as an independent assignment, again focusing on the concept of coming of age. 8. Revisit the essential question: “What does is mean to come of age?” | Assessment/Evaluation | Pg. 41 | Academic Vocabulary (optional by dept.) | Point of View | Additional Resources | SB Book | Language Arts | Tuesday, October 13- SB 47-Creating a Playlist for a Novel | Objective (Student will…) | 1. To analyze the nuances of a literary character. 2. To extend understanding of characterization by making text-to-world connections via music. | Teacher Activities & Strategies | 1. Finish interviews from Mon. 2. Activate prior knowledge by asking student volunteers to share info about playlists they might have on their MP3 players. 3. Discuss songs and the differences between their playlist and their partner’s playlist. 4. Discuss the reasons for making a playlist and ask students to create a playlist for one of the stories we have read. 5. View Stephanie Meyer’s playlist for Twilight. 6. Go back to DEJ and mock interviews from 1.10 and brainstorm a short list of songs that the character might logically include in a playlist. 7. Write a short interview with the character in which the character explains the reason the songs are included in the playlist. | Student Activities | 1. Finish interviews from Mon. 2. Activate prior knowledge by volunteering to share info about playlists you might have on your MP3 players. 3. Discuss songs and the differences between your playlist and your partner’s playlist. 4. Discuss the reasons for making a playlist and create a playlist for one of the stories we have read. 5. View Stephanie Meyer’s playlist for Twilight. 6. Go back to DEJ and mock interviews from 1.10 and brainstorm a short list of songs that the character might logically include in a playlist. 7. Write a short interview with the character in which the character explains the reason the songs are included in the playlist. | Assessment/Evaluation | Page 47 and Interviews | Academic Vocabulary | Playlists | Additional Resources | SB Book | Language Arts | Wednesday, October 14- SB 47-Creating a Playlist for a Novel (continued) | Objective (Student will…) | 1. To analyze the nuances of a literary character. 2. To extend understanding of characterization by making text-to-world connections via music. | Teacher Activities & Strategies | 1. Activate prior knowledge by asking student volunteers to share info about playlists they might have on their MP3 players. 2. Discuss songs and the differences between their playlist and their partner’s playlist. 3. Discuss the reasons for making a playlist and ask students to create a playlist for one of the stories we have read. 4. View Stephanie Meyer’s playlist for Twilight. 5. Go back to DEJ and mock interviews from 1.10 and brainstorm a short list of songs that the character might logically include in a playlist. 6. Write a short interview with the character in which the character explains the reason the songs are included in the playlist. | Student Activities | 1. Activate prior knowledge by volunteering to share info about playlists you might have on your MP3 players. 2. Discuss songs and the differences between your playlist and your partner’s playlist. 3. Discuss the reasons for making a playlist and create a playlist for one of the stories we have read. 4. View Stephanie Meyer’s playlist for Twilight. 5. Go back to DEJ and mock interviews from 1.10 and brainstorm a short list of songs that the character might logically include in a playlist. 6. Write a short interview with the character in which the character explains the reason the songs are included in the playlist. | Assessment/Evaluation | Page 47 and Interviews | Academic Vocabulary | Playlists | Additional Resources | SpringBoard Books | Language Arts | Thursday, October 15- SB 48 Viewing an Interview | Objective (Student will…) | 1. To summarize questions and answers from an interview. 2. To classify interview questions as open-ended and follow-up 3. To create open-ended follow-up questions. | Teacher Activities & Strategies | 1. Have students practice writing follow-up questions. 2. Follow a think-pair-share process so that students can hear multiple ideas. Complete pg. 48 3. Show students the interview with Elie Wiesel. 4. Have students take notes on the chart on pg. 49. 5. Have the students use three different colors to mark the text of their notes. 6. They should identify the new questions and follow-up questions, and they should write any follow-up questions they wish the interviewer had asked. 7. Have students rate the interview on pg. 50 | Student Activities | 1. Practice writing follow-up questions. 2. Follow a think-pair-share process so that you can hear multiple ideas. Complete pg. 48 3. View the interview with Elie Wiesel. 4. Take notes on the chart on pg. 49. 5. Use three different colors to mark the text in your notes. 6. Identify the new questions and follow-up questions, and they write any follow-up question you wish the interviewer had asked. Rate the interview on pg. 50 | Assessment/Evaluation | Pg. 49 | Academic Vocabulary | Interview | Additional Resources | SB book | Language Arts | Friday, October 16-SB 48 Viewing an Interview (Continued) | Objective (Student will…) | 1. To summarize questions and answers from an interview. 2. To classify interview questions as open-ended and follow-up 3. To create open-ended follow-up questions. | Teacher Activities & Strategies | 1. Have students practice writing follow-up questions. 2. Follow a think-pair-share process so that students can hear multiple ideas. Complete pg. 48 3. Show students the interview with Elie Wiesel. 4. Have students take notes on the chart on pg. 49. 5. Have the students use three different colors to mark the text of their notes. 6. They should identify the new questions and follow-up questions, and they should write any follow-up questions they wish the interviewer had asked. 7. Have students rate the interview on pg. 50 | Student Activities | 1. Practice writing follow-up questions. 2. Follow a think-pair-share process so that you can hear multiple ideas. Complete pg. 48 3. View the interview with Elie Wiesel. 4. Take notes on the chart on pg. 49. 5. Use three different colors to mark the text in your notes. 6. Identify the new questions and follow-up questions, and they write any follow-up question you wish the interviewer had asked. 7. Rate the interview on pg. 50 | Assessment/Evaluation | Pg. 49 | Academic Vocabulary | Interview | Additional Resources | SB Book |
Schoolnotes TEMPLATE (Definitions and examples on page 2) Week of October 5-9 7th Period Language Arts | Monday, October 5- SB 1.9 Two Versions of One Memory | Objective (Student will…) | 1. Bell Work Quiz 2. To compare and contrast the effectiveness of prose and poetry in conveying an experience. 3. To create open-ended interview questions. | Teacher Activities & Strategies | 1. Review with students the difference between prose and poetry. 2. Explain to students that they are to take notes in the graphic organizer about diction, imagery, and syntax and to make inferences about the speaker from the information in their notes. 3. Conduct a shared reading as students listen and read along (remind them to take notes). 4. Direct students back to the discussion questions on page 34. 5. Assist students as they answer and discuss the questions. 6. Discuss as a class which version students prefer and why. 7. Ask students to consider which version is easier to read and which version is easier to visualize and why the author might have selected two ways to tell the same story. | Student Activities | 1. Bell Work Quiz 2. Review the difference between prose and poetry. 3. Take notes in the graphic organizer about diction, imagery, and syntax and to make inferences about the speaker from the information in their notes. 4. Conduct a shared reading and take notes. 5. Discuss the questions on page 34. 6. Discuss as a class which version students prefer and why. 7. Consider which version is easier to read and which version is easier to visualize and why the author might have selected two ways to tell the same story. | Assessment/Evaluation | Graphic Organizer Pg. 34 | Academic Vocabulary (optional by dept.) | Simile Diction Hyperbole Imagery Syntax | Additional Resources | SB Book | Language Arts | Tuesday, October 6- SB 39 Two Versions of One Memory | Objective (Student will…) | 1. Bell Work Quiz 2. To compare and contrast the effectiveness of prose and poetry in conveying an experience. 3. To create open-ended interview questions. | Teacher Activities & Strategies | 1. Briefly discuss how the story would be different if told through the eyes of Rano, the older brother. 2. Prompt students to write a piece in Rano’s voice describing the incident from his perspective and using sensory images. 3. Place students into pairs and ask them to role play an interview situation in which they answer questions in the voice of one of the characters. 4. Direct students to revisit their Vocabulary Notebook entries on voice to further develop their ideas. | Student Activities | 1. Briefly discuss how the story would be different if told through the eyes of Rano, the older brother. 2. Prompt students to write a piece in Rano’s voice describing the incident from his perspective and using sensory images. 3. Place students into pairs and ask them to role play an interview situation in which they answer questions in the voice of one of the characters. 4. Direct students to revisit their Vocabulary Notebook entries on voice to further develop their ideas. | Assessment/Evaluation | Paragraphs | Academic Vocabulary | Voice Imagery Tone Syntax Diction | Additional Resources | SB Book | Language Arts | Wednesday, October 7- SB 41-Conversations with Characters | Objective (Student will…) | 1. To apply reading strategies to new reading tasks. 2. To apply knowledge of diction, syntax, and imagery to understanding a new text. 3. To plan and generate interview questions. | Teacher Activities & Strategies | 1. Explain to students that they will return to this page after they have read the text. 2. The “conversation” they have with the narrator of “First Love” will give them guided practice for conducting an imaginary interview with the main character of the novel they are reading independently. 3. Preteach some of the unfamiliar vocabulary and adding the words to the class word wall. 4. The narrative has been chunked into three sections. 5. Read aloud the first chunk and think aloud about possible double-entry journal entries and model some of these for students. 6. After you have read and modeled section 1, ask students to read section 2 silently, marking the text and annotating it. 7. Ask students to pay special attention to the author’s skillful use of transitions as she narrates the events in sequential order. | Student Activities | 1. The “conversation” you have with the narrator of “First Love” will give you guided practice for conducting an imaginary interview with the main character of the novel you are reading independently. 2. Discuss some of the unfamiliar vocabulary and adding the words to the class word wall. 3. The narrative has been chunked into three sections. 4. Listen to your teacher read aloud the first chunk and think aloud about possible double-entry journal entries. 5. After your teacher has read and modeled section 1, you read section 2 silently, marking the text and annotating it. 6. Pay special attention to the author’s skillful use of transitions as she narrates the events in sequential order. | Assessment/Evaluation | Marking the text in section 2 | Academic Vocabulary | | Additional Resources | SpringBoard Books | Language Arts | Thursday, October 8- SB 41-Conversations with Characters | Objective (Student will…) | 1. To apply reading strategies to new reading tasks. 2. To apply knowledge of diction, syntax, and imagery to understanding a new text. 3. To plan and generate interview questions. | Teacher Activities & Strategies | 1. Complete a shared reading of Section 3. 2. Ask students to consider the philosopher’s statement in the last paragraph, and invite them to agree or disagree with the statement. 3. Ask students to return to page 43 and respond to the instructions there. 4. Direct them to complete the mock character interview as described. 5. Remind students to think of questions that relate to the coming-of-age concept. 6. Use sharing-and-responding to allow students to get feedback. 7. Instruct student to conduct mock interviews based on their novels as an independent assignment, again focusing on the concept of coming of age. 8. Revisit the essential question: “What does is mean to come of age?” | Student Activities | 1. Complete a shared reading of Section 3. 2. Consider the philosopher’s statement in the last paragraph, and either agree or disagree with the statement. 3. Return to page 43 and respond to the instructions there. 4. Complete the mock character interview as described. 5. Think of questions that relate to the coming-of-age concept. 6. Use sharing-and-responding to get feedback. 7. Conduct mock interviews based on your novel as an independent assignment, again focusing on the concept of coming of age. 8. Revisit the essential question: “What does is mean to come of age?” | Assessment/Evaluation | Pg. 41 | Academic Vocabulary | Point of View | Additional Resources | SB book | Language Arts | Friday, October 9- SB 47-Creating a Playlist for a Novel | Objective (Student will…) | 1. To analyze the nuances of a literary character. 2. To extend understanding of characterization by making text-to-world connections via music. | Teacher Activities & Strategies | 1. Finish interviews from Wed. 2. Activate prior knowledge by asking student volunteers to share info about playlists they might have on their MP3 players. 3. Discuss songs and the differences between their playlist and their partner’s playlist. 4. Discuss the reasons for making a playlist and ask students to create a playlist for one of the stories we have read. 5. View Stephanie Meyer’s playlist for Twilight. 6. Go back to DEJ and mock interviews from 1.10 and brainstorm a short list of songs that the character might logically include in a playlist. 7. Write a short interview with the character in which the character explains the reason the songs are included in the playlist. | Student Activities | 1. Finish interviews from Wed. 2. Activate prior knowledge by volunteering to share info about playlists you might have on your MP3 players. 3. Discuss songs and the differences between your playlist and your partner’s playlist. 4. Discuss the reasons for making a playlist and create a playlist for one of the stories we have read. 5. View Stephanie Meyer’s playlist for Twilight. 6. Go back to DEJ and mock interviews from 1.10 and brainstorm a short list of songs that the character might logically include in a playlist. 7. Write a short interview with the character in which the character explains the reason the songs are included in the playlist. | Assessment/Evaluation | Page 47 and Interviews | Academic Vocabulary | Playlists | Additional Resources | SB Book |
Schoolnotes TEMPLATE (Definitions and examples on page 2) Week of October 5-9 6th Period Language Arts | Monday, October 5- SB 47-Creating a Playlist for a Novel | Objective (Student will…) | 1. To analyze the nuances of a literary character. 2. To extend understanding of characterization by making text-to-world connections via music. | Teacher Activities & Strategies | 1. Finish interviews from Wed. 2. Activate prior knowledge by asking student volunteers to share info about playlists they might have on their MP3 players. 3. Discuss songs and the differences between their playlist and their partner’s playlist. 4. Discuss the reasons for making a playlist and ask students to create a playlist for one of the stories we have read. 5. View Stephanie Meyer’s playlist for Twilight. 6. Go back to DEJ and mock interviews from 1.10 and brainstorm a short list of songs that the character might logically include in a playlist. 7. Write a short interview with the character in which the character explains the reason the songs are included in the playlist. 8. Assign novels and reading | Student Activities | 1. Finish interviews from Wed. 2. Activate prior knowledge by volunteering to share info about playlists you might have on your MP3 players. 3. Discuss songs and the differences between your playlist and your partner’s playlist. 4. Discuss the reasons for making a playlist and create a playlist for one of the stories we have read. 5. View Stephanie Meyer’s playlist for Twilight. 6. Go back to DEJ and mock interviews from 1.10 and brainstorm a short list of songs that the character might logically include in a playlist. 7. Write a short interview with the character in which the character explains the reason the songs are included in the playlist. | Assessment/Evaluation | Page 47 and Interviews | Academic Vocabulary (optional by dept.) | Playlists | Additional Resources | SB Book | Language Arts | Tuesday, October 6-SB 48 Viewing an Interview | Objective (Student will…) | 1. To summarize questions and answers from an interview. 2. To classify interview questions as open-ended and follow-up 3. To create open-ended follow-up questions. | Teacher Activities & Strategies | 1. Quiz over “Night” forward 2. Have students practice writing follow-up questions. 3. Follow a think-pair-share process so that students can hear multiple ideas. Complete pg. 48 4. Show students the interview with Elie Wiesel. 5. Have students take notes on the chart on pg. 49. 6. Have the students use three different colors to mark the text of their notes. 7. They should identify the new questions and follow-up questions, and they should write any follow-up questions they wish the interviewer had asked. 8. Have students rate the interview on pg. 50 9. Assign reading “Night” | Student Activities | 1. Practice writing follow-up questions. 2. Follow a think-pair-share process so that you can hear multiple ideas. Complete pg. 48 3. View the interview with Elie Wiesel. 4. Take notes on the chart on pg. 49. 5. Use three different colors to mark the text in your notes. 6. Identify the new questions and follow-up questions, and they write any follow-up question you wish the interviewer had asked. 7. Rate the interview on pg. 50 | Assessment/Evaluation | Pg. 49 | Academic Vocabulary | Interview | Additional Resources | SB Book | Language Arts | Wednesday, October 7-SB 51-Reding an Interview Narrative | Objective (Student will…) | 1. To identify aspects of voice in an interview write-up. 2. To recognize the effect of direct and indirect quotations in conveying voice. 3. To review punctuation of quotations. | Teacher Activities & Strategies | 1. As students read the article, “Bethany Only Looking Ahead,” remind them to take notes about the focus of the interview, voice, and language the writer uses to describe the interviewee. 2. Perform a shared reading of the interview narrative. 3. After the students finish reading, ask them to determine the focus of the interview. 4. Ask students to identify what information is provided in this text that would not be provided in a simple Q and A transcript (three descriptive categories in the SB book). 5. Have students reread the text with their partners, annotating examples of each category. 6. Discuss the impact of these descriptions on students’ perceptions of Bethany. | Student Activities | 1. Read the article, “Bethany Only Looking Ahead,” and take notes about the focus of the interview, voice, and language the writer uses to describe the interviewee. 2. Perform a shared reading of the interview narrative. 3. After you finish reading, determine the focus of the interview. 4. Identify what information is provided in this text that would not be provided in a simple Q and A transcript (three descriptive categories in the SB book). 5. Reread the text with your partner, annotating examples of each category. 6. Discuss the impact of these descriptions on students’ perceptions of Bethany. | Assessment/Evaluation | Pg. 51 | Academic Vocabulary | | Additional Resources | SB Book | Language Arts | Thursday, October 8- SB 51-Reding an Interview Narrative | Objective (Student will…) | 1. To identify aspects of voice in an interview write-up. 2. To recognize the effect of direct and indirect quotations in conveying voice. 3. To review punctuation of quotations. | Teacher Activities & Strategies | 1. Have students work individually on a quickwrite in which they describe the voice of the interviewee. 2. Lead the class in a discussion of the methods writers can use to make the voice of the interviewee clear to the readers. 3. Ask students to identify examples of direct and indirect quotations in the text. 4. Assign Night” reading | Student Activities | 1. Work individually on a quickwrite in which you describe the voice of the interviewee. 2. Have a class discussion of the methods writers can use to make the voice of the interviewee clear to the readers. 3. Identify examples of direct and indirect quotations in the text. | Assessment/Evaluation | Quickwrite | Academic Vocabulary | | Additional Resources | SB book | Language Arts | Friday, October 9-SB 56-Inteviewing Together | Objective (Student will…) | 1. To conduct an interview. 2. To summarize, paraphrase, and quote. 3. To synthesize answers and create a report of a Q and A interview. | Teacher Activities & Strategies | 1. Quiz over “Night.” 2. Remind students of EA 1. 3. Arrange an interview for your students. 4. Provide students with a little background info on the interviewee-KWL chart 5. Give students time to fill in the W column and write questions they might ask to discover what they want to know. 6. Using a think-pair-share have students share the three questions they thought of to start the interview. As a class, choose one question to open the interview. | Student Activities | 1. Quiz over “Night.” 2. Discuss of EA 1. 3. Discuss background info on the interviewee-KWL chart 4. Fill in the W column and write questions you might ask to discover what you want to know. 5. Using a think-pair-share, share the three questions you thought of to start the interview. As a class, choose one question to open the interview. | Assessment/Evaluation | Questions for interviewee | Academic Vocabulary | | Additional Resources | SB Book |
Schoolnotes TEMPLATE (Definitions and examples on page 2) Week of September 28-2 6th Period Language Arts | Monday, September 28- SB 34 Two Versions of One Memory (Continued) | Objective (Student will…) | 1. To compare and contrast the effectiveness of prose and poetry in conveying an experience. 2. To create open-ended interview questions. | Teacher Activities & Strategies | 1. Briefly discuss how the story would be different if told through the eyes of Rano, the older brother. 2. Prompt students to write a piece in Rano’s voice describing the incident from his perspective and using sensory images. 3. Place students into pairs and ask them to role play an interview situation in which they answer questions in the voice of one of the characters. 4. Direct students to revisit their Vocabulary Notebook entries on voice to further develop their ideas. | Student Activities | 1. Briefly discuss how the story would be different if told through the eyes of Rano, the older brother. 2. Prompt students to write a piece in Rano’s voice describing the incident from his perspective and using sensory images. 3. Place students into pairs and ask them to role play an interview situation in which they answer questions in the voice of one of the characters. 4. Direct students to revisit their Vocabulary Notebook entries on voice to further develop their ideas. | Assessment/Evaluation | Paragraphs | Academic Vocabulary (optional by dept.) | Voice Imagery Tone Syntax Diction | Additional Resources | SB Book | Language Arts | Tuesday, September 29- SB 41-Conversations with Characters | Objective (Student will…) | 1. To apply reading strategies to new reading tasks. 2. To apply knowledge of diction, syntax, and imagery to understanding a new text. 3. To plan and generate interview questions. | Teacher Activities & Strategies | 1. Explain to students that they will return to this page after they have read the text. 2. The “conversation” they have with the narrator of “First Love” will give them guided practice for conducting an imaginary interview with the main character of the novel they are reading independently. 3. Preteach some of the unfamiliar vocabulary and adding the words to the class word wall. 4. The narrative has been chunked into three sections. 5. Read aloud the first chunk and think aloud about possible double-entry journal entries and model some of these for students. 6. After you have read and modeled section 1, ask students to read section 2 silently, marking the text and annotating it. 7. Ask students to pay special attention to the author’s skillful use of transitions as she narrates the events in sequential order. 8. Discuss periodic, cumulative, and balanced sentences (homework). | Student Activities | 1. The “conversation” you have with the narrator of “First Love” will give you guided practice for conducting an imaginary interview with the main character of the novel you are reading independently. 2. Discuss some of the unfamiliar vocabulary and adding the words to the class word wall. 3. The narrative has been chunked into three sections. 4. Listen to your teacher read aloud the first chunk and think aloud about possible double-entry journal entries. 5. After your teacher has read and modeled section 1, you read section 2 silently, marking the text and annotating it. 6. Pay special attention to the author’s skillful use of transitions as she narrates the events in sequential order. 7. Discuss periodic, cumulative, and balanced sentences (homework). | Assessment/Evaluation | Marking the text in section 2 | Academic Vocabulary | Periodic Cumulative Balanced | Additional Resources | SB Book | Language Arts | Wednesday, September 30- SB 41-Conversations with Characters | Objective (Student will…) | 1. To apply reading strategies to new reading tasks. 2. To apply knowledge of diction, syntax, and imagery to understanding a new text. 3. To plan and generate interview questions. | Teacher Activities & Strategies | 1. Complete a shared reading of Section 3. 2. Ask students to consider the philosopher’s statement in the last paragraph, and invite them to agree or disagree with the statement. 3. Ask students to return to page 43 and respond to the instructions there. 4. Direct them to complete the mock character interview as described. 5. Remind students to think of questions that relate to the coming-of-age concept. 6. Use sharing-and-responding to allow students to get feedback. 7. Instruct student to conduct mock interviews based on their novels as an independent assignment, again focusing on the concept of coming of age. 8. Revisit the essential question: “What does is mean to come of age?” | Student Activities | 1. Complete a shared reading of Section 3. 2. Consider the philosopher’s statement in the last paragraph, and either agree or disagree with the statement. 3. Return to page 43 and respond to the instructions there. 4. Complete the mock character interview as described. 5. Think of questions that relate to the coming-of-age concept. 6. Use sharing-and-responding to get feedback. 7. Conduct mock interviews based on your novel as an independent assignment, again focusing on the concept of coming of age. 8. Revisit the essential question: “What does is mean to come of age?” | Assessment/Evaluation | Pg. 41 | Academic Vocabulary | Point of View Periodic Sentence Cumulative Sentence Balanced Sentence | Additional Resources | | Language Arts | Thursday, October 1-SB 47-Creating a Playlist for a Novel | Objective (Student will…) | 1. To analyze the nuances of a literary character. 2. To extend understanding of characterization by making text-to-world connections via music. | Teacher Activities & Strategies | 1. Finish interviews from Wed. 2. Activate prior knowledge by asking student volunteers to share info about playlists they might have on their MP3 players. 3. Discuss songs and the differences between their playlist and their partner’s playlist. 4. Discuss the reasons for making a playlist and ask students to create a playlist for one of the stories we have read. 5. View Stephanie Meyer’s playlist for Twilight. 6. Go back to DEJ and mock interviews from 1.10 and brainstorm a short list of songs that the character might logically include in a playlist. 7. Write a short interview with the character in which the character explains the reason the songs are included in the playlist. | Student Activities | 1. Finish interviews from Wed. 2. Activate prior knowledge by volunteering to share info about playlists you might have on your MP3 players. 3. Discuss songs and the differences between your playlist and your partner’s playlist. 4. Discuss the reasons for making a playlist and create a playlist for one of the stories we have read. 5. View Stephanie Meyer’s playlist for Twilight. 6. Go back to DEJ and mock interviews from 1.10 and brainstorm a short list of songs that the character might logically include in a playlist. 7. Write a short interview with the character in which the character explains the reason the songs are included in the playlist. | Assessment/Evaluation | Page 47 and Interviews | Academic Vocabulary | Playlists | Additional Resources | SB book | Language Arts | Friday, October 2- Creating a Playlist for a Novel | Objective (Student will…) | 1. To analyze the nuances of a literary character. 2. To extend understanding of characterization by making text-to-world connections via music. | Teacher Activities & Strategies | 1. Finish interviews from Wed. 2. Activate prior knowledge by asking student volunteers to share info about playlists they might have on their MP3 players. 3. Discuss songs and the differences between their playlist and their partner’s playlist. 4. Discuss the reasons for making a playlist and ask students to create a playlist for one of the stories we have read. 5. View Stephanie Meyer’s playlist for Twilight. 6. Go back to DEJ and mock interviews from 1.10 and brainstorm a short list of songs that the character might logically include in a playlist. 7. Write a short interview with the character in which the character explains the reason the songs are included in the playlist. | Student Activities | 1. Finish interviews from Wed. 2. Activate prior knowledge by volunteering to share info about playlists you might have on your MP3 players. 3. Discuss songs and the differences between your playlist and your partner’s playlist. 4. Discuss the reasons for making a playlist and create a playlist for one of the stories we have read. 5. View Stephanie Meyer’s playlist for Twilight. 6. Go back to DEJ and mock interviews from 1.10 and brainstorm a short list of songs that the character might logically include in a playlist. 7. Write a short interview with the character in which the character explains the reason the songs are included in the playlist. | Assessment/Evaluation | Page 47 and Interviews | Academic Vocabulary | Playlists | Additional Resources | SB Book |
Schoolnotes TEMPLATE (Definitions and examples on page 2) Week of September 28-2 7th Period Language Arts | Monday, September 28- Defining Moments SB pg. 18 (Continued) | Objective (Student will…) | - To identify and classify examples of diction, simile, imagery, and syntax in fiction
- To annotate and mark a text to make inferences during a close reading.
- To analyze how diction, imagery, and syntax create a distinctive voice.
| Teacher Activities & Strategies | 1. Ask students to respond to the writing prompt on page 18. 2. Have them draft an introduction, two body paragraphs, and a conclusion in which they analyze the way that the diction, imagery, or syntax of one of the authors establishes the narrator’s voice. 3. Complete a guided writing before they start theirs. 4. Finish essay. 5. Have students proofread (peer edit) and make changes to their essays. 6. Have students take them home and type them for Tuesday. | Student Activities | 1. Respond to the writing prompt on page 18. 2. Draft an introduction, two body paragraphs, and a conclusion in which you analyze the way that the diction, imagery, or syntax of one of the authors establishes the narrator’s voice. 3. Finish your essay. 4. Have a partner proofread your essay. 5. Make corrections and take it home and type it up for hand-in on Tuesday. | Assessment/Evaluation | Paragraphs | Academic Vocabulary (optional by dept.) | Images Diction Syntax imagery | Additional Resources | SB Book | Language Arts | Tuesday, September 29- SB 1.8 Getting Cut | Objective (Student will…) | 1. To summarize and incident and identify the effect of the incident. 2. To explain how a writer’s or speaker’s voice shapes a reader’s response. | Teacher Activities & Strategies | 1. Ask students to make a prediction about the text based on the title. 2. Ask them if anyone has ever been cut by something and have them share their experiences. 3. Have students think-pair-share the ways in which negative experiences can sometimes create positive outcomes. 4. Explain graphic organizer. 5. Ask for five volunteers to read aloud each of the five vignettes. 6. Ask students to complete the graphic organizer as they follow along with the readers. 7. Direct students to use the strategy of diffusing the text by noting unfamiliar words and help them discover the meaning. 8. Discuss the effect Bob Greene achieves by moving into first person narration just after the opening sentences. | Student Activities | 1. Make a prediction about the text based on the title. 2. Discuss if anyone has ever been cut by something and share experiences. 3. Think-pair-share the ways in which negative experiences can sometimes create positive outcomes. 4. Explain graphic organizer. 5. Five volunteers read aloud each of the five vignettes. 6. Complete the graphic organizer as you follow along with the readers. 7. Use the strategy of diffusing the text by noting unfamiliar words and help you discover the meaning. 8. Discuss the effect Bob Greene achieves by moving into first person narration just after the opening sentences. | Assessment/Evaluation | Graphic Organizer pg. 26 | Academic Vocabulary | Simile Hyperbole Imagery Syntax Diction | Additional Resources | SB Book | Language Arts | Wednesday, September 30-SB 1.8 Getting Cut (continued) | Objective (Student will…) | 1.To summarize and incident and identify the effect of the incident. 2. To explain how a writer’s or speaker’s voice shapes a reader’s response. | Teacher Activities & Strategies | 1. Ask students to find the one vignette that contains imagery in the form of similes and metaphors. 2. Ask students what they can tell about each man based on the voices represented in the vignettes. 3. Prompt the students to craft a paragraph explaining how the voice of the speaker helps to shape the reader’s response. 4. Finally, as direct scaffolding to EA 1, ask students to consider the types of questions Bob Greene might have asked each of the men in order to obtain the responses he received and included in the vignettes. 5. Complete strategies learning log 6. Revisit the EQ, “What does it mean to come of age?” | Student Activities | 1. Find the one vignette that contains imagery in the form of similes and metaphors. 2. What can you tell about each man based on the voices represented in the vignettes. 3. Craft a paragraph explaining how the voice of the speaker helps to shape the reader’s response. 4. Finally, as direct scaffolding to EA 1, consider the types of questions Bob Greene might have asked each of the men in order to obtain the responses he received and included in the vignettes. 5. Complete strategies learning log 6. Revisit the EQ, “What does it mean to come of age?” | Assessment/Evaluation | Paragraph | Academic Vocabulary | Simile Hyperbole Imagery Syntax Diction | Additional Resources | SpringBoard Books | Language Arts | Thursday, October 1- SB 1.8 Getting Cut (continued) | Objective (Student will…) | 1. To summarize and incident and identify the effect of the incident. 2. To explain how a writer’s or speaker’s voice shapes a reader’s response. | Teacher Activities & Strategies | 1. Ask students to find the one vignette that contains imagery in the form of similes and metaphors. 2. Ask students what they can tell about each man based on the voices represented in the vignettes. 3. Prompt the students to craft a paragraph explaining how the voice of the speaker helps to shape the reader’s response. 4. Finally, as direct scaffolding to EA 1, ask students to consider the types of questions Bob Greene might have asked each of the men in order to obtain the responses he received and included in the vignettes. 5. Complete strategies learning log 6. Revisit the EQ, “What does it mean to come of age?” | Student Activities | 1. Find the one vignette that contains imagery in the form of similes and metaphors. 2. What can you tell about each man based on the voices represented in the vignettes. 3. Craft a paragraph explaining how the voice of the speaker helps to shape the reader’s response. 4. Finally, as direct scaffolding to EA 1, consider the types of questions Bob Greene might have asked each of the men in order to obtain the responses he received and included in the vignettes. 5. Complete strategies learning log 6. Revisit the EQ, “What does it mean to come of age?” | Assessment/Evaluation | Paragraph | Academic Vocabulary | Simile Hyperbole Imagery Syntax Diction | Additional Resources | SB book | Language Arts | Friday, October 2- SB 1.9 Two Versions of One Memory | Objective (Student will…) | 1. Bell Work Quiz 2. To compare and contrast the effectiveness of prose and poetry in conveying an experience. 3. To create open-ended interview questions. | Teacher Activities & Strategies | 1. Review with students the difference between prose and poetry. 2. Explain to students that they are to take notes in the graphic organizer about diction, imagery, and syntax and to make inferences about the speaker from the information in their notes. 3. Conduct a shared reading as students listen and read along (remind them to take notes). 4. Direct students back to the discussion questions on page 34. 5. Assist students as they answer and discuss the questions. 6. Discuss as a class which version students prefer and why. 7. Ask students to consider which version is easier to read and which version is easier to visualize and why the author might have selected two ways to tell the same story. | Student Activities | 1. Bell Work Quiz 2. Review the difference between prose and poetry. 3. Take notes in the graphic organizer about diction, imagery, and syntax and to make inferences about the speaker from the information in their notes. 4. Conduct a shared reading and take notes. 5. Discuss the questions on page 34. 6. Discuss as a class which version students prefer and why. 7. Consider which version is easier to read and which version is easier to visualize and why the author might have selected two ways to tell the same story. | Assessment/Evaluation | Graphic Organizer Pg. 34 and Bell Work Quiz | Academic Vocabulary | Simile Diction Hyperbole Imagery Syntax | Additional Resources | SB Book |
Schoolnotes TEMPLATE (Definitions and examples on page 2) Week of September 21-25 7th Period Language Arts | Monday, September 21- Defining Moments SB pg. 18 (Continued) | Objective (Student will…) | - To identify and classify examples of diction, simile, imagery, and syntax in fiction
- To annotate and mark a text to make inferences during a close reading.
- To analyze how diction, imagery, and syntax create a distinctive voice.
| Teacher Activities & Strategies | 1. Ask students to respond to the writing prompt on page 18. 2. Have them draft an introduction and one body paragraph in which they analyze the way that the diction, imagery, or syntax of one of the authors establishes the narrator’s voice. 3. Complete a guided writing before they start theirs. | Student Activities | 1. Respond to the writing prompt on page 18. 2. Draft an introduction and one body paragraph in which you analyze the way that the diction, imagery, or syntax of one of the authors establishes the narrator’s voice. | Assessment/Evaluation | Paragraphs | Academic Vocabulary (optional by dept.) | Images Diction Syntax imagery | Additional Resources | SB Book | Language Arts | Tuesday, September 22- Defining Moments SB pg. 18 (Continued) | Objective (Student will…) | - To identify and classify examples of diction, simile, imagery, and syntax in fiction
- To annotate and mark a text to make inferences during a close reading.
- To analyze how diction, imagery, and syntax create a distinctive voice.
| Teacher Activities & Strategies | 1. Ask students to respond to the writing prompt on page 18. 2. Have them draft a second body paragraph and a conclusion in which they analyze the way that the diction, imagery, or syntax of one of the authors establishes the narrator’s voice. | Student Activities | 1. Respond to the writing prompt on page 18. 2. Draft a second body paragraph and a conclusion in which you analyze the way that the diction, imagery, or syntax of one of the authors establishes the narrator’s voice | Assessment/Evaluation | Paragraphs | Academic Vocabulary | Images Imagery Simile | Additional Resources | SB Book | Language Arts | Wednesday, September 23-SB 1.8 Getting Cut | Objective (Student will…) | 1. To summarize and incident and identify the effect of the incident. 2. To explain how a writer’s or speaker’s voice shapes a reader’s response. | Teacher Activities & Strategies | 1. Ask students to make a prediction about the text based on the title. 2. Ask them if anyone has ever been cut by something and have them share their experiences. 3. Have students think-pair-share the ways in which negative experiences can sometimes create positive outcomes. 4. Explain graphic organizer. 5. Ask for five volunteers to read aloud each of the five vignettes. 6. Ask students to complete the graphic organizer as they follow along with the readers. 7. Direct students to use the strategy of diffusing the text by noting unfamiliar words and help them discover the meaning. 8. Discuss the effect Bob Greene achieves by moving into first person narration just after the opening sentences. | Student Activities | 1. Make a prediction about the text based on the title. 2. Discuss if anyone has ever been cut by something and share experiences. 3. Think-pair-share the ways in which negative experiences can sometimes create positive outcomes. 4. Explain graphic organizer. 5. Five volunteers read aloud each of the five vignettes. 6. Complete the graphic organizer as you follow along with the readers. 7. Use the strategy of diffusing the text by noting unfamiliar words and help you discover the meaning. 8. Discuss the effect Bob Greene achieves by moving into first person narration just after the opening sentences. | Assessment/Evaluation | Graphic Organizer pg. 26 | Academic Vocabulary | Simile Hyperbole Imagery Syntax Diction | Additional Resources | SpringBoard Books | Language Arts | Thursday, September 24- SB 1.8 Getting Cut (continued) | Objective (Student will…) | 1. To summarize and incident and identify the effect of the incident. 2. To explain how a writer’s or speaker’s voice shapes a reader’s response. | Teacher Activities & Strategies | 1. Ask students to find the one vignette that contains imagery in the form of similes and metaphors. 2. Ask students what they can tell about each man based on the voices represented in the vignettes. 3. Prompt the students to craft a paragraph explaining how the voice of the speaker helps to shape the reader’s response. 4. Finally, as direct scaffolding to EA 1, ask students to consider the types of questions Bob Greene might have asked each of the men in order to obtain the responses he received and included in the vignettes. 5. Complete strategies learning log 6. Revisit the EQ, “What does it mean to come of age?” | Student Activities | 1. Find the one vignette that contains imagery in the form of similes and metaphors. 2. What can you tell about each man based on the voices represented in the vignettes. 3. Craft a paragraph explaining how the voice of the speaker helps to shape the reader’s response. 4. Finally, as direct scaffolding to EA 1, consider the types of questions Bob Greene might have asked each of the men in order to obtain the responses he received and included in the vignettes. 5. Complete strategies learning log 6. Revisit the EQ, “What does it mean to come of age?” | Assessment/Evaluation | Paragraph | Academic Vocabulary | Simile Hyperbole Imagery Syntax Diction | Additional Resources | SB book | Language Arts | Friday, September 25- SB 1.9 Two Versions of One Memory | Objective (Student will…) | 1. Bell Work Quiz 2. To compare and contrast the effectiveness of prose and poetry in conveying an experience. 3. To create open-ended interview questions. | Teacher Activities & Strategies | 1. Review with students the difference between prose and poetry. 2. Explain to students that they are to take notes in the graphic organizer about diction, imagery, and syntax and to make inferences about the speaker from the information in their notes. 3. Conduct a shared reading as students listen and read along (remind them to take notes). 4. Direct students back to the discussion questions on page 34. 5. Assist students as they answer and discuss the questions. 6. Discuss as a class which version students prefer and why. 7. Ask students to consider which version is easier to read and which version is easier to visualize and why the author might have selected two ways to tell the same story. | Student Activities | 1. Bell Work Quiz 2. Review the difference between prose and poetry. 3. Take notes in the graphic organizer about diction, imagery, and syntax and to make inferences about the speaker from the information in their notes. 4. Conduct a shared reading and take notes. 5. Discuss the questions on page 34. 6. Discuss as a class which version students prefer and why. 7. Consider which version is easier to read and which version is easier to visualize and why the author might have selected two ways to tell the same story. | Assessment/Evaluation | Graphic Organizer Pg. 34 and Bell Work Quiz | Academic Vocabulary | Simile Diction Hyperbole Imagery Syntax | Additional Resources | SB Book |
Schoolnotes TEMPLATE (Definitions and examples on page 2) Week of September 21-25 6th Period Language Arts | Monday, September 21- SB 1.8 Getting Cut | Objective (Student will…) | 1. To summarize and incident and identify the effect of the incident. 2. To explain how a writer’s or speaker’s voice shapes a reader’s response. | Teacher Activities & Strategies | 1. Ask students to make a prediction about the text based on the title. 2. Ask them if anyone has ever been cut by something and have them share their experiences. 3. Have students think-pair-share the ways in which negative experiences can sometimes create positive outcomes. 4. Explain graphic organizer. 5. Ask for five volunteers to read aloud each of the five vignettes. 6. Ask students to complete the graphic organizer as they follow along with the readers. 7. Direct students to use the strategy of diffusing the text by noting unfamiliar words and help them discover the meaning. 8. Discuss the effect Bob Greene achieves by moving into first person narration just after the opening sentences. | Student Activities | 1. Make a prediction about the text based on the title. 2. Discuss if anyone has ever been cut by something and share experiences. 3. Think-pair-share the ways in which negative experiences can sometimes create positive outcomes. 4. Explain graphic organizer. 5. Five volunteers read aloud each of the five vignettes. 6. Complete the graphic organizer as you follow along with the readers. 7. Use the strategy of diffusing the text by noting unfamiliar words and help you discover the meaning. 8. Discuss the effect Bob Greene achieves by moving into first person narration just after the opening sentences. | Assessment/Evaluation | Graphic Organizer pg. 26 | Academic Vocabulary (optional by dept.) | Diction Imagery Tone Syntax | Additional Resources | SB Book | Language Arts | Tuesday, September 22- SB 1.8 Getting Cut (continued) | Objective (Student will…) | 1. To summarize and incident and identify the effect of the incident. 2. To explain how a writer’s or speaker’s voice shapes a reader’s response. | Teacher Activities & Strategies | 1. Ask students to find the one vignette that contains imagery in the form of similes and metaphors. 2. Ask students what they can tell about each man based on the voices represented in the vignettes. 3. Prompt the students to craft a paragraph explaining how the voice of the speaker helps to shape the reader’s response. 4. Finally, as direct scaffolding to EA 1, ask students to consider the types of questions Bob Greene might have asked each of the men in order to obtain the responses he received and included in the vignettes. 5. Complete strategies learning log 6. Revisit the EQ, “What does it mean to come of age?” | Student Activities | 1. Find the one vignette that contains imagery in the form of similes and metaphors. 2. What can you tell about each man based on the voices represented in the vignettes. 3. Craft a paragraph explaining how the voice of the speaker helps to shape the reader’s response. 4. Finally, as direct scaffolding to EA 1, consider the types of questions Bob Greene might have asked each of the men in order to obtain the responses he received and included in the vignettes. 5. Complete strategies learning log. 6. Revisit the EQ, “What does it mean to come of age?” | Assessment/Evaluation | Paragraph | Academic Vocabulary | | Additional Resources | SB Book | Language Arts | Wednesday, September 23-SB 1.9 Two Versions of One Memory | Objective (Student will…) | 1. To compare and contrast the effectiveness of prose and poetry in conveying an experience. 2. To create open-ended interview questions. | Teacher Activities & Strategies | 1. Review with students the difference between prose and poetry. 2. Explain to students that they are to take notes in the graphic organizer about diction, imagery, and syntax and to make inferences about the speaker from the information in their notes. 3. Conduct a shared reading as students listen and read along (remind them to take notes). 4. Direct students back to the discussion questions on page 34. 5. Assist students as they answer and discuss the questions. 6. Discuss as a class which version students prefer and why. 7. Ask students to consider which version is easier to read and which version is easier to visualize and why the author might have selected two ways to tell the same story. | Student Activities | 1. Review the difference between prose and poetry. 2. Take notes in the graphic organizer about diction, imagery, and syntax and to make inferences about the speaker from the information in their notes. 3. Conduct a shared reading and take notes. 4. Discuss the questions on page 34. 5. Discuss as a class which version students prefer and why. 6. Consider which version is easier to read and which version is easier to visualize and why the author might have selected two ways to tell the same story. | Assessment/Evaluation | Graphic Organizer Pg. 34 | Academic Vocabulary | Diction Imagery Tone Syntax | Additional Resources | SpringBoard Books | Language Arts | Thursday, September 24- SB 34 Two Versions of One Memory (Continued) | Objective (Student will…) | 1. To compare and contrast the effectiveness of prose and poetry in conveying an experience. 2. To create open-ended interview questions. | Teacher Activities & Strategies | 1. Briefly discuss how the story would be different if told through the eyes of Rano, the older brother. 2. Prompt students to write a piece in Rano’s voice describing the incident from his perspective and using sensory images. 3. Place students into pairs and ask them to role play an interview situation in which they answer questions in the voice of one of the characters. 4. Direct students to revisit their Vocabulary Notebook entries on voice to further develop their ideas. | Student Activities | 1. Briefly discuss how the story would be different if told through the eyes of Rano, the older brother. 2. Prompt students to write a piece in Rano’s voice describing the incident from his perspective and using sensory images. 3. Place students into pairs and ask them to role play an interview situation in which they answer questions in the voice of one of the characters. 4. Direct students to revisit their Vocabulary Notebook entries on voice to further develop their ideas. | Assessment/Evaluation | Paragraphs | Academic Vocabulary | Voice Imagery Tone Syntax Diction | Additional Resources | SB book | Language Arts | Friday, September 25- SB 41-Conversations with Characters | Objective (Student will…) | 1. To apply reading strategies to new reading tasks. 2. To apply knowledge of diction, syntax, and imagery to understanding a new text. 3. To plan and generate interview questions. | Teacher Activities & Strategies | 1. Explain to students that they will return to this page after they have read the text. 2. The “conversation” they have with the narrator of “First Love” will give them guided practice for conducting an imaginary interview with the main character of the novel they are reading independently. 3. Preteach some of the unfamiliar vocabulary and adding the words to the class word wall. 4. The narrative has been chunked into three sections. 5. Read aloud the first chunk and think aloud about possible double-entry journal entries and model some of these for students. 6. After you have read and modeled section 1, ask students to read section 2 silently, marking the text and annotating it. 7. Ask students to pay special attention to the author’s skillful use of transitions as she narrates the events in sequential order. 8. Discuss periodic, cumulative, and balanced sentences (homework). | Student Activities | 1. The “conversation” you have with the narrator of “First Love” will give you guided practice for conducting an imaginary interview with the main character of the novel you are reading independently. 2. Discuss some of the unfamiliar vocabulary and adding the words to the class word wall. 3. The narrative has been chunked into three sections. 4. Listen to your teacher read aloud the first chunk and think aloud about possible double-entry journal entries. 5. After your teacher has read and modeled section 1, you read section 2 silently, marking the text and annotating it. 6. Pay special attention to the author’s skillful use of transitions as she narrates the events in sequential order. 7. Discuss periodic, cumulative, and balanced sentences (homework). | Assessment/Evaluation | Marking the text in section 2 | Academic Vocabulary | Periodic Cumulative Balnced | Additional Resources | SB Book |
Schoolnotes TEMPLATE (Definitions and examples on page 2) Week of September 14-18 6th Period Language Arts | Monday, September 14- Defining Moments SB pg. 18 (Continued) | Objective (Student will…) | - To identify and classify examples of diction, simile, imagery, and syntax in fiction
- To annotate and mark a text to make inferences during a close reading.
- To analyze how diction, imagery, and syntax create a distinctive voice.
| Teacher Activities & Strategies | 1. Read the excerpt from the novel “Speak” in a pair reading. 2. Have students reread the excerpt independently marking the text like we did the last two texts. Similes-Pink Imagery-Orange Hyperboles-Yellow 3. Complete the graphic organizer for “Speak” and discuss how Anderson captures a teen girl’s voice through diction, syntax, and imagery. | Student Activities | 1. Read the excerpt from the novel “Speak” in a pair reading. 2. Reread the excerpt independently marking the text like we did the last two texts. Similes-Pink Imagery-Orange Hyperboles-Yellow 3. Complete the graphic organizer for “Speak” and discuss how Anderson captures a teen girl’s voice through diction, syntax, and imagery. | Assessment/Evaluation | Completion of the graphic organizer on pg. 18 | Academic Vocabulary (optional by dept.) | Images Diction Syntax imagery | Additional Resources | SB Book | Language Arts | Tuesday, September 15- Defining Moments SB pg. 18 (Continued) | Objective (Student will…) | 1. To identify and classify examples of diction, simile, imagery, and syntax in fiction 2. To annotate and mark a text to make inferences during a close reading. 3. To analyze how diction, imagery, and syntax create a distinctive voice. | Teacher Activities & Strategies | 1. After the class discussion about “Speak,” have students complete the activity by visualizing and creating a visual representation of a simile or other vivid description from one of the texts. 2. Revisit the essential question, “What does it mean to come of age?” | Student Activities | 1. After the class discussion about “Speak,” complete the activity by visualizing and creating a visual representation of a simile or other vivid description from one of the texts. 2. Revisit the essential question, “What does it mean to come of age?” | Assessment/Evaluation | Visual Representation | Academic Vocabulary | Images Imagery Simile | Additional Resources | SB Book | Language Arts | Wednesday, September 16-Defining Moments SB pg. 18(Continued) | Objective (Student will…) | 1. To identify and classify examples of diction, simile, imagery, and syntax in fiction 2. To annotate and mark a text to make inferences during a close reading. 3. To analyze how diction, imagery, and syntax create a distinctive voice. | Teacher Activities & Strategies | 1. Ask students to respond to the writing prompt on page 18. 2. Have them draft a paragraph or two in which they analyze the way that the diction, imagery, or syntax of one of the authors establishes the narrator’s voice. 3. Complete a guided writing before they start theirs. | Student Activities | 1. Ask students to respond to the writing prompt on page 18. 2. Have them draft a paragraph or two in which they analyze the way that the diction, imagery, or syntax of one of the authors establishes the narrator’s voice. 3. Complete a guided writing before they start theirs. | Assessment/Evaluation | Paragraph | Academic Vocabulary | Simile Hyperbole Imagery Syntax Diction | Additional Resources | SpringBoard Books | Language Arts | Thursday, September 17- Defining Moments SB pg. 18 (Continued)and SB 1.8 Getting Cut | Objective (Student will…) | 1. To identify and classify examples of diction, simile, imagery, and syntax in fiction 2. To annotate and mark a text to make inferences during a close reading. 3. To analyze how diction, imagery, and syntax create a distinctive voice. | Teacher Activities & Strategies | 1. Have students finish their paragraphs from Wednesday. 2. Ask students to make a prediction about the text based on the title. 3. Ask them if anyone has ever been cut by something and have them share their experiences. 4. Have students think-pair-share the ways in which negative experiences can sometimes create positive outcomes. 5. Explain graphic organizer. 6. Ask for five volunteers to read aloud each of the five vignettes. 7. Ask students to complete the graphic organizer as they follow along with the readers. 8. Direct students to use the strategy of diffusing the text by noting unfamiliar words and help them discover the meaning. 9. Discuss the effect Bob Greene achieves by moving into first person narration just after the opening sentences. | Student Activities | 1. Finish your paragraphs from Wednesday. 2. Make a prediction about the text based on the title. 3. Discuss if anyone has ever been cut by something and share experiences. 4. Think-pair-share the ways in which negative experiences can sometimes create positive outcomes. 5. Explain graphic organizer. 6. Five volunteers read aloud each of the five vignettes. 7. Complete the graphic organizer as you follow along with the readers. 8. Use the strategy of diffusing the text by noting unfamiliar words and help you discover the meaning. 9. Discuss the effect Bob Greene achieves by moving into first person narration just after the opening sentences. | Assessment/Evaluation | Graphic Organizer pg. 26 | Academic Vocabulary | | Additional Resources | SB book | Language Arts | Friday, September 18- SB 1.8 Getting Cut (continued) | Objective (Student will…) | 1. To summarize and incident and identify the effect of the incident. 2. To explain how a writer’s or speaker’s voice shapes a reader’s response. | Teacher Activities & Strategies | 1. Ask students to find the one vignette that contains imagery in the form of similes and metaphors. 2. Ask students what they can tell about each man based on the voices represented in the vignettes. 3. Prompt the students to craft a paragraph explaining how the voice of the speaker helps to shape the reader’s response. 4. Finally, as direct scaffolding to EA 1, ask students to consider the types of questions Bob Greene might have asked each of the men in order to obtain the responses he received and included in the vignettes. 5. Complete strategies learning log 6. Revisit the EQ, “What does it mean to come of age?” | Student Activities | 1. Find the one vignette that contains imagery in the form of similes and metaphors. 2. What can you tell about each man based on the voices represented in the vignettes. 3. Craft a paragraph explaining how the voice of the speaker helps to shape the reader’s response. 4. Finally, as direct scaffolding to EA 1, consider the types of questions Bob Greene might have asked each of the men in order to obtain the responses he received and included in the vignettes. 5. Complete strategies learning log 6. Revisit the EQ, “What does it mean to come of age?” | Assessment/Evaluation | Paragraph | Academic Vocabulary | | Additional Resources | SB Book |
Schoolnotes TEMPLATE (Definitions and examples on page 2) Week of September 14-18 7th Period Language Arts | Monday, September 14- Defining Moments SB pg. 18 (Continued) | Objective (Student will…) | - To identify and classify examples of diction, simile, imagery, and syntax in fiction
- To annotate and mark a text to make inferences during a close reading.
- To analyze how diction, imagery, and syntax create a distinctive voice.
| Teacher Activities & Strategies | 1. In Paragraph 20, have students underline the phrase “only Mrs. Price pretends like everything’s okay.” Ask: How does that simple statement describe the teacher? What should Mrs. price have done to handle the situation at this point? 2. In Paragraph 21, have students explain the importance of the phrase “only it’s too late.” Why is it too late for Rachel? How has the importance of this day been ruined? Lead students to see that one important idea behind the coming of age theme is expectation versus reality. What does Rachel perhaps expect her birthday to be versus what really happens? 3. The final paragraph contains two additional similes. Have students highlight those. 4. Discuss the ways “Eleven” fits the concept of coming of age. Ask students to complete the section of their graphic organizer for “Eleven.” Then discuss how Cisneros represents the voice of eleven-year-old Rachel through her diction, syntax, and imagery. Pre-AP-Discuss syntax and how professional authors manipulate language. | Student Activities | 1. In Paragraph 20, underline the phrase “only Mrs. Price pretends like everything’s okay.” Answer the questions: How does that simple statement describe the teacher? What should Mrs. price have done to handle the situation at this point? 2. In Paragraph 21, explain the importance of the phrase “only it’s too late.” Why is it too late for Rachel? How has the importance of this day been ruined? What does Rachel perhaps expect her birthday to be versus what really happens? 3. The final paragraph contains two additional similes. Highlight those. Discuss the ways “Eleven” fits the concept of coming of age. Complete the section of your graphic organizer for “Eleven.” Then discuss how Cisneros represents the voice of eleven-year-old Rachel through her diction, syntax, and imagery. | Assessment/Evaluation | Completion of the graphic organizer on pg. 18 | Academic Vocabulary (optional by dept.) | Images Diction Syntax imagery | Additional Resources | SB Book | Language Arts | Tuesday, September 15- Defining Moments SB pg. 18 (Continued) | Objective (Student will…) | 4. To identify and classify examples of diction, simile, imagery, and syntax in fiction 5. To annotate and mark a text to make inferences during a close reading. 6. To analyze how diction, imagery, and syntax create a distinctive voice. | Teacher Activities & Strategies | - Read the poem “Oranges” in a shared reading.
- Ask students to mark the text by highlighting sensory images yellow.
- Ask them to take notes in the My Notes area about the speaker and his voice.
- Ask students to find and highlight the two similes in the poem pink and explain the comparison.
- Discuss the ways “Oranges” addresses the concept of coming of age.
- Ask students to complete the section of their graphic organizer for the poem.
| Student Activities | 1. Read the poem “Oranges” in a shared reading. 2. Mark the text by highlighting sensory images yellow. 3. Take notes in the My Notes area about the speaker and his voice. 4. Find and highlight the two similes in the poem pink and explain the comparison. 5. Discuss the ways “Oranges” addresses the concept of coming of age. 6. Ask students to complete the section of their graphic organizer for the poem. | Assessment/Evaluation | Graphic Organizer | Academic Vocabulary | Images Imagery Simile | Additional Resources | SB Book | Language Arts | Wednesday, September 16-Defining Moments SB pg. 18 | Objective (Student will…) | 4. To identify and classify examples of diction, simile, imagery, and syntax in fiction 5. To annotate and mark a text to make inferences during a close reading. 6. To analyze how diction, imagery, and syntax create a distinctive voice. | Teacher Activities & Strategies | 4. Read the excerpt from the novel “Speak” in a pair reading. 5. Have students reread the excerpt independently marking the text like we did the last two texts. Similes-Pink Imagery-Orange Hyperboles-Yellow 6. Complete the graphic organizer for “Speak” and discuss how Anderson captures a teen girl’s voice through diction, syntax, and imagery. | Student Activities | 4. Read the excerpt from the novel “Speak” in a pair reading. 5. Reread the excerpt independently marking the text like we did the last two texts. Similes-Pink Imagery-Orange Hyperboles-Yellow 6. Complete the graphic organizer for “Speak” and discuss how Anderson captures a teen girl’s voice through diction, syntax, and imagery. | Assessment/Evaluation | Graphic Organizer Pg. 18 | Academic Vocabulary | Simile Hyperbole Imagery Syntax Diction | Additional Resources | SpringBoard Books | Language Arts | Thursday, September 17- Defining Moments SB pg. 18 (Continued) | Objective (Student will…) | 4. To identify and classify examples of diction, simile, imagery, and syntax in fiction 5. To annotate and mark a text to make inferences during a close reading. 6. To analyze how diction, imagery, and syntax create a distinctive voice. | Teacher Activities & Strategies | 3. After the class discussion about “Speak,” have students complete the activity by visualizing and creating a visual representation of a simile or other vivid description from one of the texts. 4. Revisit the essential question, “What does it mean to come of age?” | Student Activities | 3. After the class discussion about “Speak,” complete the activity by visualizing and creating a visual representation of a simile or other vivid description from one of the texts. 4. Revisit the essential question, “What does it mean to come of age?” | Assessment/Evaluation | Visual Representation | Academic Vocabulary | Simile Hyperbole Imagery Syntax Diction | Additional Resources | SB book | Language Arts | Friday, September 18- Defining Moments SB pg. 18 (Continued) | Objective (Student will…) | 3. To identify and classify examples of diction, simile, imagery, and syntax in fiction 4. To annotate and mark a text to make inferences during a close reading. 5. To analyze how diction, imagery, and syntax create a distinctive voice. | Teacher Activities & Strategies | 4. Ask students to respond to the writing prompt on page 18. 5. Have them draft a paragraph or two in which they analyze the way that the diction, imagery, or syntax of one of the authors establishes the narrator’s voice. 6. Complete a guided writing before they start theirs. | Student Activities | 4. Ask students to respond to the writing prompt on page 18. 5. Have them draft a paragraph or two in which they analyze the way that the diction, imagery, or syntax of one of the authors establishes the narrator’s voice. 6. Complete a guided writing before they start theirs. | Assessment/Evaluation | Paragraph | Academic Vocabulary | Simile Hyperbole Imagery Syntax | Additional Resources | SB Book |
Schoolnotes TEMPLATE (Definitions and examples on page 2) Week of September 7-11 Language Arts | Monday, September 7- NO SCHOOL!!!) | Objective (Student will…) | | Teacher Activities & Strategies | | Student Activities | | Assessment/Evaluation | | Academic Vocabulary (optional by dept.) | | Additional Resources | | Language Arts | Tuesday, September 8-Introduction to Learning Logs and Word Walls SB Pg. 16 | Objective (Student will…) | 1. To identify, define, and apply learning strategies. 2. To evaluate the personal effectiveness of specific learning strategies. | Teacher Activities & Strategies | - Finish Interview Presentations.
- Learning Logs-Direct students to SpringBoard learning Strategies in the Resources section at the back of their books and allow them to skim the list.
- Point out the strategies you used in the preceding activities.
- After a brief discussion of the four categories, introduce students to the Learning Log format on this page, which will help them identify and reflect on the usefulness of the strategies in their literacy development.
- Word Walls-Posting significant words in your classroom provides visual cues for students and is highly effective for vocab., instruction.
- List some useful coming of age words from completed activities.
- Discuss the importance of the word wall and encourage students to use the words in their writing and speaking.
- Have students finish their portfolios form last week if time permits.
| Student Activities | - Learning Logs-Look at the SpringBoard learning Strategies in the Resources section at the back of your books and skim the list.
- Point out the strategies you used in the preceding activities.
- After a brief discussion of the four categories, discuss with the teacher the Learning Log format on this page, which will help you identify and reflect on the usefulness of the strategies in your iteracy development.
- Word Walls-Posting significant words in your classroom provides visual cues for students and is highly effective for vocab., instruction.
- List some useful coming of age words from completed activities.
- Discuss the importance of the word wall and use the words in your writing and speaking.
- Finish your portfolios from last week if time permits.
| Assessment/Evaluation | Learnng Log Graphic Organizer Pg. 16 | Academic Vocabulary | Word Wall Learning Log | Additional Resources | SB Book | Language Arts | Wednesday, September 9-Defining Moments SB pg. 18 | Objective (Student will…) | - To identify and classify examples of diction, simile, imagery, and syntax in fiction
- To annotate and mark a text to make inferences during a close reading.
- To analyze how diction, imagery, and syntax create a distinctive voice.
| Teacher Activities & Strategies | 1. Explain the purpose of the graphic organizer on page 18-for recording examples from the texts and making inferences about the speakers. 2. For this guided reading of ‘Eleven” begin with a shared reading of the entire text. 3. As you read, have students examine the text closely and respond in the My Notes area to your guided prompts. 4. Ask students to do a close reading and to mark the text. Guide them with the prompts on Pg. 19. 5. Discuss with students how these techniques mirror the speaker’s voice and age. 6. Ask students to find and highlight similes. Start by discussing the three similes in Paragraph 3. 7. Have students explain how one of them is like “being eleven years old.” 8. Other similes are in paragraphs 5, 8, 13, 14, 18, 19, and 22. 9. In Paragraph 5, have students find and highlight the simile and identify the setting of the story. Also, have them underline the phrase nothing coming out of my mouth. | Student Activities | 1. Explain the purpose of the graphic organizer on page 18-for recording examples from the texts and making inferences about the speakers. 2. For this guided reading of ‘Eleven” begin with a shared reading of the entire text. 3. As your teacher reads, examine the text closely and respond in the My Notes area to the guided prompts. 4. Do a close reading and to mark the text. 5. Discuss how these techniques mirror the speaker’s voice and age. 6. Find and highlight similes. Start by discussing the three similes in Paragraph 3. Explain how one of them is like “being eleven years old.” 7. Other similes are in paragraphs 5, 8, 13, 14, 18, 19, and 22. 8. In Paragraph 5, find and highlight the simile and identify the setting of the story. Also, underline the phrase “nothing coming out of my mouth.” | Assessment/Evaluation | Marking the text for similes | Academic Vocabulary | Simile Setting Syntax Voice | Additional Resources | SpringBoard Books | Language Arts | Thursday, September 10- Defining Moments SB pg. 18 (Continued) | Objective (Student will…) | - To identify and classify examples of diction, simile, imagery, and syntax in fiction
- To annotate and mark a text to make inferences during a close reading.
- To analyze how diction, imagery, and syntax create a distinctive voice.
| Teacher Activities & Strategies | 1. In Paragraph 9 have students underline the words “when I open my mouth nothing comes out.” This is an excellent time to introduce hyperbole. 2. Ask students to explain in their notes why nothing come out of her mouth. What does that say about her personality? How does the absence of words actually indicate voice? 3. Have students identify other examples of hyperboles in Paragraphs 8, 9, 18. 4. Ask students to read in parts the section in which Mr. Price questions the class about the red sweater (6-11). Then begin the first person narration again (12), when the interior monologue begins with “Not mine, not mine, not mine….” 5. Have students put a box around the entire interior monologue, which continues through the end of 14. Discuss interior monologue as an element of first person narration; lead students to see that it reflects internal feelings and creates audience identification. 6. Discuss the ideas on page 20. 7. Have students highlight the images in paragraph 19 that describe Rachel crying. | Student Activities | 1. In Paragraph 9 underline the words “when I open my mouth nothing comes out.” This is an excellent time to introduce hyperbole. 2. Explain in your notes why nothing come out of her mouth. What does that say about her personality? How does the absence of words actually indicate voice? 3. Identify other examples of hyperboles in Paragraphs 8, 9, 18. 4. Read in parts the section in which Mr. Price questions the class about the red sweater (6-11). Then begin the first person narration again (12), when the interior monologue begins with “Not mine, not mine, not mine….” 5. Put a box around the entire interior monologue, which continues through the end of 14. Discuss interior monologue as an element of first person narration; it reflects internal feelings and creates audience identification. 6. Discuss the ideas on page 20. 7. Highlight the images in paragraph 19 that describe Rachel crying. | Assessment/Evaluation | Marking the text | Academic Vocabulary | Hyperbole Images Interior Monologue | Additional Resources | SB book | Language Arts | Friday, September 11- Defining Moments SB pg. 18 (Continued) | Objective (Student will…) | - To identify and classify examples of diction, simile, imagery, and syntax in fiction
- To annotate and mark a text to make inferences during a close reading.
- To analyze how diction, imagery, and syntax create a distinctive voice.
| Teacher Activities & Strategies | 1. In Paragraph 20, have students underline the phrase “only Mrs. Price pretends like everything’s okay.” Ask: How does that simple statement describe the teacher? What should Mrs. price have done to handle the situation at this point? 2. In Paragraph 21, have students explain the importance of the phrase “only it’s too late.” Why is it too late for Rachel? How has the importance of this day been ruined? Lead students to see that one important idea behind the coming of age theme is expectation versus reality. What does Rachel perhaps expect her birthday to be versus what really happens? 3. The final paragraph contains two additional similes. Have students highlight those. 4. Discuss the ways “Eleven” fits the concept of coming of age. Ask students to complete the section of their graphic organizer for “Eleven.” Then discuss how Cisneros represents the voice of eleven-year-old Rachel through her diction, syntax, and imagery. Pre-AP-Discuss syntax and how professional authors manipulate language. | Student Activities | 1. In Paragraph 20, underline the phrase “only Mrs. Price pretends like everything’s okay.” Answer the questions: How does that simple statement describe the teacher? What should Mrs. price have done to handle the situation at this point? 2. In Paragraph 21, explain the importance of the phrase “only it’s too late.” Why is it too late for Rachel? How has the importance of this day been ruined? What does Rachel perhaps expect her birthday to be versus what really happens? 3. The final paragraph contains two additional similes. Highlight those. 4. Discuss the ways “Eleven” fits the concept of coming of age. Complete the section of your graphic organizer for “Eleven.” Then discuss how Cisneros represents the voice of eleven-year-old Rachel through her diction, syntax, and imagery. | Assessment/Evaluation | Completion of the graphic organizer on pg. 18 | Academic Vocabulary | Images Diction Syntax imagery | Additional Resources | SB Book |
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